Geometric Sequences and
The Frequencies of the
88 Keys on a Piano
(The Equal Tempered
Chromatic Musical Scale)
By Don Cohen- The Mathman
February,
2006
A
geometric sequence is found by starting with a number, then multiplying this by
a 'certain number'. Whatever one gets, you multiply that answer by that same
'certain number', and continue that. The
multiplying number is always the ratio of two consecutive numbers in the
sequence. For example, let's start with 3, and let our multiplying number
(that 'certain number' )or ratio, be 2, and write the first 4 terms of this
geometric sequence.
3,
3*2, 3*2*2,
3*2*2*2,.. , or using exponents: 3*20
,
3*21
, 3*22
,
3*23
or
3, 6,12, 24, .. (Notice 20 =1,
21
=2, 22
=4, 23
=8).. What's the ratio of consecutive numbers in the
sequence? Well 6/3 = 2, 12/6 = 2,
and 24/12 = 2 ..
Problem 1: If the first number of a geometric sequence is 1 and the fourth number in the geometric sequence is 64, what are the second and third number in the geometric sequence, or what are the two geometric means between 1 and 64? 1, ? , ? , 64
Solution 1: 1= 1*r0, (r being the ratio), the second number is 1*r1, the third term is 1*r2 and the fourth number is 1*r3 = 64, so r3 = 64. What number cubed, or multiplied by itself 3 times = 64 or
what
is the cube root of 64 or
?
4. Because 4*4*4 = 64, so r = 4. Our geometric sequence then is
1, 4, 16,
64.
Problem 2: If
the first number of a geometric sequence is 1 and the thirteenth number in the
geometric sequence is 2, what are the 2nd through 12th numbers in the
geometric sequence, or the 11 geometric means between 1 and 2?
Solution 2:
1 2
3 4
5 6
7
8
9 10
11
12
13
1= r0
, 1*r1
,
1*r2
,
1*r3
,
1*r4
,
1*r5
,
1*r6
,
1*r7
,
1*r8,
1*r9 , 1*r10
,
1*r11
,
1*r12
1
, ?
, ?
,
? ,
?
,
?
, ?
,
? ,
?
,
?
, ? ,
?
,
2
So
r12
=
2
and r =
= 1.05946'
The
subscript 3 below indicates the 3rd
octave, if one starts with the 0th
octave A0
=
27.5
Hertz (vibrations/sec),
If
the first term, instead of 1, is middle C3 = 261.63 Hz, in the equal tempered
chromatic scale,
the second term is C3#
=
261.63*1.0594
= 261.63*
= 277.18 Hz and
D3
= 261.63*1.05942
=
261.63*
= 293.66 Hz and
D3# = 261.63*1.05943
=
261.63*
= 311.12 Hz..
to
A4 = 261.63*1.05949
=
261.63*
= 440.00 Hz ..
to
C4
= 261.63*1.059412
= 261.63*
= C 3*2
= 523.25
Hz. C4 is double the frequency of C 3 , and an octave higher than C 3 .
An octave is divided into
twelve intervals to form the equal tempered chromatic scale; the Intervals of
pitch are described in terms of the ratios of the frequencies ~1.0594
=
The frequency of each note
in the scale can be figured by multiplying each successive note by this number
to get the next. The frequency of any note can also be figured from A0
= 27.5 Hz, using the formula:
f(N) = 27.5*2(N/12),
where N is an index into the equal tempered chromatic scale notes
starting with N= 0 for A0,
the lowest note on the keyboard. N increases by 1 for each note on the keyboard. Note
that the actual key on the keyboard is N + 1. The 88th key has a frequency for N=87 in the
formula above, so f(87) = 27.5*2(87/12)
= 4186.009 Hz, the frequency of the note C7
The table below
shows the note, the index number (N) and corresponding frequencies (f) and the Octave
for all of the keyboard notes based on A4
= 440
Hz in the equal tempered chromatic scale.
Oct |
|
0 |
|
1 |
|
2 |
|
3 |
|
4 |
|
5 |
|
6 |
|
7 |
Note |
N |
f |
N |
f |
N |
f |
N |
f |
N |
f |
N |
f |
N |
f |
N |
f |
A |
0 |
27.500 |
12 |
55.0000 |
24 |
110.0000 |
36 |
220.0000 |
48 |
440.0000 |
60 |
880.0000 |
72 |
1760.000 |
84 |
3520.000 |
A# |
1 |
29.135 |
13 |
58.2705 |
25 |
116.5409 |
37 |
233.0819 |
49 |
466.1638 |
61 |
932.3275 |
73 |
1864.655 |
85 |
3729.310 |
B |
2 |
30.867 |
14 |
61.7354 |
26 |
123.4708 |
38 |
246.9417 |
50 |
493.8833 |
62 |
987.7666 |
74 |
1975.533 |
86 |
3951.066 |
C |
3 |
32.703 |
15 |
65.4064 |
27 |
130.8128 |
39 |
261.6256 |
51 |
523.2511 |
63 |
1046.502 |
75 |
2093.005 |
87 |
4186.009 |
C# |
4 |
34.647 |
16 |
69.2957 |
28 |
138.5913 |
40 |
277.1826 |
52 |
554.3653 |
64 |
1108.731 |
76 |
2217.461 |
88 |
4434.922 |
D |
5 |
36.708 |
17 |
73.4162 |
29 |
146.8324 |
41 |
293.6648 |
53 |
587.3295 |
65 |
1174.659 |
77 |
2349.318 |
89 |
4698.636 |
D# |
6 |
38.890 |
18 |
77.7817 |
30 |
155.5635 |
42 |
311.1270 |
54 |
622.2540 |
66 |
1244.508 |
78 |
2489.016 |
90 |
4978.032 |
E |
7 |
41.203 |
19 |
82.4069 |
31 |
164.8138 |
43 |
329.6276 |
55 |
659.2551 |
67 |
1318.510 |
79 |
2637.020 |
91 |
5274.041 |
F |
8 |
43.653 |
20 |
87.3071 |
32 |
174.6141 |
44 |
349.2282 |
56 |
698.4565 |
68 |
1396.913 |
80 |
2793.826 |
92 |
5587.652 |
F# |
9 |
46.249 |
21 |
92.4986 |
33 |
184.9972 |
45 |
369.9944 |
57 |
739.9888 |
69 |
1479.978 |
81 |
2959.955 |
93 |
5919.911 |
G |
10 |
48.999 |
22 |
97.9989 |
34 |
195.9977 |
46 |
391.9954 |
58 |
783.9909 |
70 |
1567.982 |
82 |
3135.963 |
94 |
6271.927 |
G# |
11 |
51.913 |
23 |
103.8262 |
35 |
207.6523 |
47 |
415.3047 |
59 |
830.6094 |
71 |
1661.219 |
83 |
3322.438 |
95 |
6644.875 |
The modern piano has 88 keys (seven octaves = 7*12 = 84, then add 4 to get
88. The 4 is a minor third = (1/3)*12= 4; so the 88 piano key notes go from from
A0,
the lowest note, or 27.5 Hz, to C7,
the highest note on the piano, 4186.009
Hz.
The following graph done in Mathematica, shows a polar graph of the frequencies for the octave from middle C 3 (261.63) to C4 (523.25). Each point has as its distance from the origin (or radius) the pitch or frequency, and the angle from the starting position is (360/13)*n, starting with n=0, going counterclockwise. The command to do this graph is: PolarListPlot[Table[261.6256*2^(n/12),{n,0,12}],PlotStyle->PointSize[0.02]].
In trying to understand how all this works, Don found these two sources very
helpful:
'The Handbook of Chemistry and Physics' (26th edition) edited
by Charles D. Hodgman and Harry N. Holmes, Published in 1942 by Chemical Rubber
Publishing Co., Cleveland, OH
An internet file 'The Equal Tempered Scale and Some Peculiarities of Piano Tuning' with the table above, by Jim Campbell